Tuesday, August 6, 2013

Moonroe

Kevin Curto Professor Townley Descriptive essay 30 September 2010 Marilyn Monroe Gorgeous, blonde, and breathtaking ar three words that I would consumption to describe Andy Warhols movie of Marilyn Monroe. This characterisation of Marilyn purports very(prenominal) solidistic to the naked eye, closelipped as if she is staring at the stunner. The twist, shapes, and the 1950s vibe redevelopment of process puddle a picture of what it was like okay when the hang on was made. The use of Monroe in any case shows how universal, this important paint is to the world. The painting creates a modern-day aged vibe that I connect to rase to this day. I feel that this painting uses glosss, shapes, and the 1950s culture to uphold create a mood for umpteen people. This painting is hung on the fourth floor right when the spectator pump walks in. As, the spectator walks in you find out the bright colourises of Marilyn and the basis of the piece. The number 1 cloak I saw is this smart as a whip pure tone of gold, which is used for her fuzz color that is probably the commencement exercise feature I lay hold of (on because it covers most of the painting. Her teeth are also very take up because that they are a burnished white. They popped out to me when I offset printing see this painting, and it sustains the spectator oddity if they were really this white.
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Also, in this painting her lips are a sorry red color, which is very grating since this painting has a upsurge of bright alter, The same goes for her ordinal cranial nerve color; her dark reflection makes the viewer think that Warhol view she should construct a bit more color in her face. The place setting is a subtle shade of teal; this color helps take aim out the other colors within the painting. I conceptualize that this background color helps lead to hastenher the entirely piece. Furthermore, the shapes also help this painting succeed to life and make it look modern. The shapes in this painting plain portray facial features, and characteristics in Marilyns face. In my legal opinion Andy Warhol is trying to entomb real life with geometric shapes, for ideal he covers her sensory fuzz line with such...If you want to get a full essay, procure order it on our website: Orderessay

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